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call for papers

[LINK] CfP European Fandoms and Fan Studies Conference

European Fandom and Fan Studies: Localization and Translation One Day Symposium, 9 November 2013 Amsterdam School for Cultural Analysis and University of Amsterdam Department of Media Studies Call for Papers The increasingly global circulation of media often threatens to obscure local contexts of reception, identification, interpretation, and translation. This one day symposium at the University of Amsterdam seeks to explore the state of Fan Studies and the variety of Fandoms focused within the social and geographical boundaries of Europe, particularly with regard to processes of localization and translation, broadly interpreted. Inter-disciplinary papers are invited to explore the nature of the field itself, how different fandoms function within Europe, and how European fan cultures re-interpret, re-imagine, translate, and localize foreign media texts or foreign fan practices. Potential avenues of exploration may include how Fan Studies is represented, studied, and received within European universities, by funding bodies and publishers. Papers on fandoms may explore how European (English and non-English speaking) fans of European and non-European objects of fan appreciation participate in fandom, the differences between internet fandoms and local/national/international fan practices, and objects of fan appreciation that originate within Europe. Topics of interest include but are not limited to: -Regional fan histories. -Negotiation between international and local fan infrastructures. -Local and national adaptation of fan cultures and identities. -European fans’ impact on international public policy and industry practice. -Fans’ relationships to national media industries and public policy. -National and transnational economies within fandom and/or fan studies. -Crossing national, cultural, and language boundaries in fandom and fan studies. -Translation, both linguistic and cultural. -Fans’ local and international languages and economies of desire. -Framing local European fan objects and cultures within fan studies. -Processes of translation, adaptation, and localization in European fans’ interaction with global media. The symposium is associated with a special issue of the journal of Transformative Works and Cultures tentatively slated for 2015, with full papers due January 1, 2014. Event Details The symposium will be held in the center of Amsterdam, easily accessible from Amsterdam international airport. Submission Process Please send a 300 word abstract along with a short (100 word) biographical note to Anne Kustritz (A.M.Kustritz@uva.nl<mailto:A.M.Kustritz@uva.nl>) or Emma England (E.E.England@uva.nl<mailto:E.E.England@uva.nl>) by 10 September.

[LINK] Call for papers: fic-themed panel at the American Comparative Literature Association’s annual meeting

The American Comparative Literature Association’s annual meeting will take place in Toronto on April 4-7, 2013. The overall conference theme is “Global Positioning Systems” . This CFP is for the panel “Remapping the Path of Narrative in the Age of the Internet: the Impact of Participatory Culture”.

Call for papers: Remapping the Path of Narrative in the Age of the Internet: the Impact of Participatory Culture

In these early years of the twenty-first century, it’s becoming clear that we are living in what Henry Jenkins calls a “participatory culture,” in which consumers of texts are becoming more and more engaged with the texts they are consuming. Producers of films and television shows create real, yet fictional websites for fans to visit and continue interacting with the stories outside of their regular viewing schedule. Authors engage with their fans on Facebook, Twitter, and their own blogs. Fans engage with the texts by creating their own texts (known as fanfiction) that continue or critique the source in a multitude of different ways, and in some cases even publish their own work to commercial acclaim (E.L. James). Is this development a brave new frontier, or a loss of the North Star that leads to the literary ship being lost at sea?

This panel is interested in mapping the ways in which this new literary context has influenced both the production and reception of texts. Papers addressing theoretical as well as practical effects of the rise of participatory culture will be considered.

Submissions are due by November 15, 2012.

Posted by request.

[LINK] CFP for The Phoenix Papers, a new online media and fan studies journal

Via Jason Bennett of the FANS (Fandom and Neomedia Studies) Conference:

We are pleased to announce a CFP for articles and reviews for the first edition of our online peer-reviewed journal, The Phoenix Papers. We welcome articles on fandom and media topics as well as reviews of anime, manga, books, movies, video games, TV series, web series, musical albums, performances, and other pop culture media products. We encourage scholars at all levels of achievement, whether affiliated with an institution or independent, to contribute to our journal. We accept submissions throughout the year. However, to be included in our January 2013 edition, you must submit your completed article or review by 15 December 2012. Articles may be on any topic relevant to US or global fandom and/or media studies. In general, reviews should be of items from 2009 onward with precedence given to those from the current year. If you wish to contribute, please go to the Contact Us page. For articles, please include a 200-250 word abstract and institutional affiliation, if any. For reviews, please indicate the item to be reviewed, why it is a significant or interesting work, and what approach you intend to take. Those selected for inclusion will be notified shortly afterward. The first edition of the journal will be published in January 2013 and quarterly after that with the July edition dedicated to our FANS Conference papers.

[LINK] Fascinating CFP Alert! Attention Boys’ Love Fans!

It’s at moments like this that I realize how much I have to learn about fandom, its far-reaching impact on global popular culture forms, and its awesome and endless variety. With that in mind, I heartily encourage fans, fan scholars, and acafans with the relevant expertise to think seriously about submitting a piece of writing to this upcoming special issue of the academic journal Transformative Works and Cultures. The editors have put together a welcoming and intellectually exciting set of questions to inspire contributions from a range of disciplinary and fannish perspectives. I can’t wait to see how the issue takes shape. But enough about me, onto the editors’ CFP: Transnational Boys’ Love Fan Studies Edited by Kazumi Nagaike and Katsuhiko Suganuma, Oita University ‘BL’ (Boys’ Love), a genre of male homosexual narratives (consisting of graphic manga, novels, animations, games, films, and so forth) written by and for women, has recently been acknowledged, by Japanese and non-Japanese scholars alike, as a significant component of Japanese popular culture. The aesthetic and style of Japanese BL have also been taken up, deployed and transformed by female fans transnationally. The current thrust of transnational BL practices certainly raises a number of important issues relating to socio/cultural constructs of BL localization and globalization. A historiographic approach to Japanese BL studies clearly shows that Japanese BL originally developed through fans’ amateur aniparo (anime-parody) writing, in which the male characters in popular animations (as well as manga and other genres) are recast in homosexual pairings. From the outset, then, BL was a fan-oriented activity, established on the basis of a fervent, female-oriented fan community which has produced, circulated, and consumed dōjinshi (amateur coterie magazines) and other materials in this genre. The Tokyo Comic Market, the biggest fan-dōjinshi event in Japan, is held twice a year and attracts more than half a million participants in each event. A large portion of these Comic Market participants consists of BL fans, who have become a dominant force in the development of such dōjinshi activities. As well, Japanese female BL fans have recently received a great deal of public attention in relation to the popularized concept of fujoshi, which literally means rotten women and connotes the presumed “perversions” of women who fantasize about male-male eroticism. A specialized body of academic analysis concerns the formation of Japanese BL fujoshi, detailing their consumptive and productive activities, both as individual fans and as members of specific fan communities. Such scholarly endeavors would certainly be enriched by further research concerning the activities of transnational BL fans. This research would examine BL fans, fan communities, fandom, and fan fiction in each of the regions where BL (or BL-like) activities have originated and developed. For example, several critics (e.g. Antonia Levi 2010) have previously described the arrival of BL in the West, but this is surely premised on the existence of local fan communities and practices. Further, Matthew Thorn (2005) has investigated the similarities between Japanese BL fans and North American female slash fans and found, in both cases, that these fans “come out” only among fellow fans, showing that women’s pleasure in such “unhealthy” materials still possesses some degree of public stigma. On the other hand, Ting Liu (2009) has examined the development of BL fan communities in China and Hong Kong, along with the gradually shifting cultural perceptions which surround them, demonstrating the ways in which BL fan activity problematizes established gender formations in these regions. Thus, transnational BL fan studies can and should also be incorporated into the broader socio/political critical frameworks offered by studies concerning economy, gender/sexuality, race/class, and others. In order to develop transnational BL fan studies further, we are therefore seeking contributors working in this field, in particular those engaged in the exploration of non-Japanese and non-North American contexts (e.g. Europe, the Asia-Pacific region, Africa, and others). We welcome submissions dealing with, but not limited to, the following topics: Case-studies and ethnographic examinations of BL fans, specifically examining fans’ sex/gender, age, occupation, class, race/ethnicity, et cetera. Local ethnographies relating to BL fans’ production, distribution, and use of these materials. Discussions concerning the ways in which broadly framed socio/political issues or forms of consciousness (e.g. gender/sexuality formations, authorities’ interference, censorship, and so forth) impact fans’ BL activities. Media and social responses to fans’ involvement in BL activities. Commercial aspects of BL and fans’ contribution to the development of BL economics. The integration of research on BL fans into a wider discussion of social theory, differing cultural discourses, and globalization. Discussions concerning the ways in which BL fans’ forms of production, distribution, and consumption might challenge traditional notions of Author, Reader, and Text. Theoretical overviews reflecting traditional/contemporary ideas of fandom, fans, fan communities, and fans’ means of communications, demonstrating how these ideas specifically relate to BL fans. Explorations of the ways in which BL participants are motivated to become involved in other fan-oriented activities (e.g. cosplay; female fans’ cross-dressing as male BL characters). Submission guidelines TWC accommodates academic articles of varying scope as well as other forms that embrace the technical possibilities of the Web and test the limits of the genre of academic writing. Contributors are encouraged to include embedded links, images, and videos in their articles or to propose submissions in alternative formats that might comprise interviews, collaborations, or video/multimedia works. We are also seeking reviews of relevant books, events, courses, platforms, or projects. Theory: Often interdisciplinary essays with a conceptual focus and a theoretical frame that offer expansive interventions in the field. Peer review. Length: 5,000–8,000 words plus a 100–250-word abstract. Praxis: Analyses of particular cases that may apply a specific theory or framework to an artifact; explicate fan practice or formations; or perform a detailed reading of a text. Peer review. Length: 4,000–7,000 words plus a 100–250-word abstract. Symposium: Short pieces that provide insight into current developments and debates. Editorial review. Length: 1,500–2,500 words. Submissions are accepted online only. Please visit TWC’s Web Site) for complete submission guidelines, or e-mail the TWC Editor (editor AT transformativeworks.org). Contact We strongly encourage potential contributors to contact the guest editors with any inquiries or proposals: Kazumi Nagaike, nagaike AT oita-u.ac.jp Katsuhiko Suganuma, suganuma AT oita-u.ac.jp Due dates Contributions for blind peer review (Theory and Praxis essays) are due by March 1, 2012. Contributions that undergo editorial review (Symposium, Interview, Review) are due by April 1, 2012.