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[QUOTE] From Casey Fiesler, Everything I Need To Know I Learned from Fandom: How Existing Social Norms Can Help Shape the Next Generation of User-Generated Content, pp730-731.

When writer Lori Jareo self-published her novel Another Hope and listed it on Amazon.com (Amazon), she expected only her family and friends to see the page and consider purchasing a copy. However, the novel also attracted a great deal of unwanted attention: from mocking bloggers, outraged fans, and Lucasfilms’ lawyers. Another Hope was not a wholly original work, but rather an unauthorized Star Wars “fan fiction” novel: a story using characters and settings from Star Wars without the consent of Lucasfilms, which owns the copyright to the Star Wars universe.

Lucasfilms’ lawyers sent a cease-and-desist notice to Jareo, who then removed the book’s listing from Amazon. While that was the only legal consequence of Jareo’s obvious copyright infringement, the punishment that she received from the public was much more severe. When several well-known science fiction writers and bloggers latched onto the story, they all had strong negative opinions of Jareo’s actions. In April 2006, the story hit dozens of popular blogs, inspiring such mockingly clever titles as “The Stupid is Strong with this One,” and “I Bet She Finds Our Lack of Faith Disturbing.”

Were it not for the Internet publicity concerning the Amazon listing, Lucasfilms may not have ever noticed it. In fact, the book was published nearly a year before the scandal erupted. It was not intellectual property lawyers or the copyright holder that condemned Jareo; rather, it was her fellow fan fiction writers. Jareo broke a major rule when she tried to profit from her fan fiction, and other fans were there to point out her mistake—not only for the faux pas in the fan community but also for the potential attention she brought to the world of fan fiction, a world in which copyright law is largely untested.

Casey Fiesler, Everything I Need To Know I Learned from Fandom: How Existing Social Norms Can Help Shape the Next Generation of User-Generated Content, pp730-731.

[LINK] New fan-themed issue of the journal Participations

The tenth issue of Participations, an online open access journal for audience studies, has a section full of new articles about fan culture. The section was put together by the Fan Studies Network, a network for fan studies researchers.

I haven’t had time to read any of the articles yet, but it sounds like there’s some very interesting stuff in here about many fandoms and fan practices – from Doctor Who, Glee, and Star Wars to Tumblr, kink memes, fandom and politics, and dojinshi. Here’s a list of all the fan-themed articles in the issue (all links go to PDFs):

Bennett, Lucy & Tom Phillips: ‘An introduction: The Fan Studies Network – new connections, new research’

Booth, Paul & Peter Kelly: ‘The changing faces of Doctor Who fandom: New fans, new technologies, old practices?’

Busse, Kristina: ‘Geek hierarchies, boundary policing, and the gendering of the good fan’

Chin, Bertha & Lori Hitchcock Morimoto: ‘Towards a theory of transcultural fandom’

Ellison, Hannah: ‘Submissives, Nekos and Futanaris: a quantitative and qualitative analysis of the Glee Kink Meme’

Hills, Matt: ‘Fiske’s ‘textual productivity’ and digital fandom: Web 2.0 democratization versus fan distinction?’

Lamerichs, Nicolle: ‘The cultural dynamic of doujinshi and cosplay: Local anime fandom in Japan, USA and Europe’

Pett, Emma: ‘”Hey! Hey! I’ve seen this one, I’ve seen this one. It’s a classic!”: Nostalgia, repeat viewing and cult performance in Back to the Future

Proctor, William: ‘”Holy crap, more Star Wars! More Star Wars? What if they’re crap?”: Disney, Lucasfilm and Star Wars online fandom in the 21st century’

Sandvoss, Cornel: ‘Toward an understanding of political enthusiasm as media fandom: Blogging, fan productivity and affect in American politics’

Whiteman, Natasha, Joanne Metivier: ‘From post-object to “Zombie” fandoms: The “deaths” of online fan communities and what they say about us’

Bury, Rhiannon, Ruth Deller, Adam Greenwood & Bethan Jones: ‘From Usenet to Tumblr: The changing role of social media’

McCulloch, Richard, Virginia Crisp, Jon Hickman & Stephanie Jones: ‘Of proprietors and poachers: Fandom as negotiated brand ownership’

Freund, Kathrina & Dianna Fielding: ‘Research ethics in fan studies’

Jones, Bethan & Lucy Bennett: ‘Blurring boundaries, crossing divides: An interview with Will Brooker’

Delmar, Javier Lozano & Victor Hernández-Santaolalla & Marina Ramos: ‘Fandom generated content: An approach to the concept of ‘fanadvertising”

Sturm, Damion & Andrew McKinney: ‘Affective hyper-consumption and immaterial labors of love: Theorizing sport fandom in the age of new media’