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performance

[QUOTE] From Who Are Millennial Fans?: An Interview with Louisa Stein (Part One) See also @millennialfandom

The mainstreaming of fandom into millennial culture is a chosen stance of fans to represent their modes of engagement as more than only niche and subcultural. Fans choose to post about their fan engagement in the public spaces of Tumblr rather than the locked communities and friends-only journals of the late 1990s and early 2000s. They may perceive these fan spaces as intimate publics, as I’ve written about elsewhere, yet they choose to allow for the possibility of visibility, for a default public culture, albeit one with intimate semi-private pockets. Indeed, the social activism of, for example, what some refer to as Tumblr feminism is part of—or at least deeply connected to—this fan performance of fandom as an expansive mode of engagement with something important to share and spread.

Who Are Millennial Fans?: An Interview with Louisa Stein (Part One)

See also @millennialfandom ift.tt/2dL1h99

[LINK] New fan-themed issue of the journal Participations

The tenth issue of Participations, an online open access journal for audience studies, has a section full of new articles about fan culture. The section was put together by the Fan Studies Network, a network for fan studies researchers.

I haven’t had time to read any of the articles yet, but it sounds like there’s some very interesting stuff in here about many fandoms and fan practices – from Doctor Who, Glee, and Star Wars to Tumblr, kink memes, fandom and politics, and dojinshi. Here’s a list of all the fan-themed articles in the issue (all links go to PDFs):

Bennett, Lucy & Tom Phillips: ‘An introduction: The Fan Studies Network – new connections, new research’

Booth, Paul & Peter Kelly: ‘The changing faces of Doctor Who fandom: New fans, new technologies, old practices?’

Busse, Kristina: ‘Geek hierarchies, boundary policing, and the gendering of the good fan’

Chin, Bertha & Lori Hitchcock Morimoto: ‘Towards a theory of transcultural fandom’

Ellison, Hannah: ‘Submissives, Nekos and Futanaris: a quantitative and qualitative analysis of the Glee Kink Meme’

Hills, Matt: ‘Fiske’s ‘textual productivity’ and digital fandom: Web 2.0 democratization versus fan distinction?’

Lamerichs, Nicolle: ‘The cultural dynamic of doujinshi and cosplay: Local anime fandom in Japan, USA and Europe’

Pett, Emma: ‘”Hey! Hey! I’ve seen this one, I’ve seen this one. It’s a classic!”: Nostalgia, repeat viewing and cult performance in Back to the Future

Proctor, William: ‘”Holy crap, more Star Wars! More Star Wars? What if they’re crap?”: Disney, Lucasfilm and Star Wars online fandom in the 21st century’

Sandvoss, Cornel: ‘Toward an understanding of political enthusiasm as media fandom: Blogging, fan productivity and affect in American politics’

Whiteman, Natasha, Joanne Metivier: ‘From post-object to “Zombie” fandoms: The “deaths” of online fan communities and what they say about us’

Bury, Rhiannon, Ruth Deller, Adam Greenwood & Bethan Jones: ‘From Usenet to Tumblr: The changing role of social media’

McCulloch, Richard, Virginia Crisp, Jon Hickman & Stephanie Jones: ‘Of proprietors and poachers: Fandom as negotiated brand ownership’

Freund, Kathrina & Dianna Fielding: ‘Research ethics in fan studies’

Jones, Bethan & Lucy Bennett: ‘Blurring boundaries, crossing divides: An interview with Will Brooker’

Delmar, Javier Lozano & Victor Hernández-Santaolalla & Marina Ramos: ‘Fandom generated content: An approach to the concept of ‘fanadvertising”

Sturm, Damion & Andrew McKinney: ‘Affective hyper-consumption and immaterial labors of love: Theorizing sport fandom in the age of new media’