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[REQUEST] Fandom and the Internet

Hello,

As part of my geography project, I am looking at factors of change in a community. I’m looking at the effect of Internet on the fandom, but I’m not old enough to know any fandom pre-Internet.

I’m hoping for some information on how fandom has been shaped and is being shaped by the Internet, whether it be higher visibility, easier access, different forms of fanworks gaining prominence, archives and more gathered communities etc.

I have looked at Fanlore, but since for this project I need primary as well as secondary sources, I was hoping to fulfil that requirement here.

Thank you so much.

Aileen Wang

Hi Aileen, do you mean you’re looking to hear from fans about their own experiences?

By the way, there are also a lot of other good secondary sources on this topic besides Fanlore, for instance academic work. Are you looking for that sort of thing as well?

Crosspost: ift.tt/2b8zuUQ

[REQUEST] [REQUEST] Fan studies-friendly undergraduate programs

Hi! I was wondering if anyone could recommend or share any information on undergraduate media studies programs that are fan studies-friendly (include fan studies courses, have fan studies scholars teaching, etc.). I’ve found a lot of graduate programs that seem to fit the bill, but I was curious as to whether any of you had great fan studies experiences at any universities/colleges at the undergraduate level. Would greatly appreciate any help you could give! Thanks! Hey there! We had a similar question a while ago that it’s been a while and the other question was more graduate-focused, so maybe people have more answers by now. Anyone? Crosspost: ift.tt/2aGJlyF

[REQUEST] Journal of Fandom Studies

Hi! I would like the following articles for a research project, if anyone can share them:

Booth, Paul. Augmenting fan/academic dialogue: New directions in fan research. Journal of Fandom Studies. Vol 1 No 2.

Bennett, Lucy. Tracing Textual Poachers: Reflections on the development of fan studies and digital fandom. Journal of Fandom Studies. Vol 2 No 1.

Hills, Matt. Doctor Who’s textual commemorators: Fandom, collective memory and the self-commodification of fanfac. Journal of Fandom Studies. Vol 2 No 1.

Ford, Sam. Fan studies: Grappling with an ‘Undisciplined’ discipline. Studies. Vol 2 No 1.

Coppa, Francesca. Fuck Yeah, Fandom is Beautiful. Journal of Fandom Studies. Vol 2 No 1.

Anyone have these? Please leave a comment!

Crosspost: ift.tt/1lZaW9W

[REQUEST] Anyone have tips about a fan studies-friendly graduate program?

Hi there! I was wondering if you could direct me to any information you might have about graduate programs in which one could formally pursue fan studies (especially a PhD track). I’ve looked around at length and found a wealth of related (though broader) programs situated in cultural studies or media theory, but I wanted to make sure I haven’t overlooked any institutions with an academic culture particularly interested in this field. If you have any answers or suggestions for me, I’d be very appreciative! Thanks. ETA: Looking for programs in the US, if at all possible. -Danielle Frankel Tumblr crosspost: ift.tt/1rpqHZI

[REQUEST] Slashfic readers from pre-2008 needed!

Hello all! I’m requesting information on the (in)visibility of slash as a way of generating angst in fanfic pre-2008. Specifically, I want to know what causes or prevents the queering of canoncially straight characters from being used as the primary source of conflict in slashfic. I’m primarily investigating the Kingdom Hearts and Naruto fandoms right now, but information on any fandom based on a global media commodity (preferable originating in Japan, just for the sake of keeping my claims tenable) would be most welcome. If you were actively reading slash fiction in the early 2000s (or know someone who was) and would like to share you perceptions with me, I’d be most grateful! -rabidbehemoth Tumblr crosspost: ift.tt/1l8Y9Um

[REQUEST] Academic works on uses of fanworks in education

Rebecca Tushnet is looking for academic works that talk about the uses of transformative works in education, for instance how various kinds of fanworks are used in classrooms, what skills and knowledge people learn from making/consuming fanworks, and so on. She’s especially interested in what the most well-known and authoritative sources on fanworks in education are, but any sources would be very welcome.

Suggestions? Thanks in advance!

Crosspost: fanhackers.tumblr.com/post/63041136528

[REQUEST] Transformative Works and Cultures wants reviewers!

Transformative Works and Cultures, the OTW’s scholarly fan studies journal, is looking to expand its pool of volunteer reviewers. If you are interested in peer reviewing for TWC, please come over to the site, sign up, and create a profile as Reviewer: journal.transformativeworks.org/index.php/twc/user/register. You’ll be asked to fill out some information (such as uni affiliation if applicable), but, most importantly, there’s a field in the software where you input your interests and expertise. 

Once you’ve created a reviewer account, please e-mail us to tell us who you are, how you found us, and what you are specifically interested in. We use the journal’s database to find reviewers, but it is often easier when we have spoken to reviewers already and know a bit about them. Then we’ll contact you when a manuscript comes in that fits your expertise, and ask if you can review it.

If you have any questions about reviewing; if you want to know more about submitting essays, Symposium pieces, or book reviews; or if you there’s something specific you want to know about TWC, please feel free to contact us. For more info on what TWC does, check out the recent interview with the editors on the OTW blog.

The Journal Team

editor@transformativeworks.org

Crosspost: fanhackers.tumblr.com/post/56457445212

[REQUEST] Attacks on Jane Austen Fanfiction from the establishment?

Hello,

I’m looking for attacks on Jane Austen fanfiction – preferably online fanfiction – from the cultural establishment (scholars, critics, journalists, etc), perhaps denigrating fanfic in terms of its popularity, literary quality, etc. Do you know any of these?

I’ve found comments along these lines on Star Trek ff, not so on JA’s the general stigma on ff and popular culture as something of a “secondary” order. To my surprise, there does not seem to be much scholarly work on JA ff, whereas there’s quite a lot on Star Trek, X Files, Harry Potter, etc.

Thank you.

 Marina

[REQUEST] Call for survey participants: Women’s Production and Consumption of (Male) Homosexual Erotica

The OTW Events Calendar for May includes a call for participants for a survey by researcher Lucy Neville. Here Lucy gives some more background about this survey and the research it will be used for.

I am a Lecturer in Criminology and Sociology at the University of Middlesex (this is me: www.mdx.ac.uk/aboutus/staffdirectory/neville.aspx – you will find an overview of my qualifications, research interests and links to previous open-access research reports).  I am also a writer (and appreciator!): of prose, poetry and slash (this is me: pouxin.livejournal.com/ – if you want to read any more of my writing, please send a friend request). I am currently carrying out an academic study into women’s involvement in sexually explicit m/m slashfic and gay erotica/pornography more generally. I would really appreciate it if you could take the time to complete the below survey.

docs.google.com/forms/d/14A61d7HpL3ojI2pzA07cHR1LhU4UiYJs-1wX5H9-BLg/viewform

What’s the research for?

The purpose of this research (both earlier focus groups I conducted and the survey) is to gain a better understanding of what appeals to women about (male) homosexual erotica, and how this sits within their wider thoughts and feelings around romance writing, erotica, pornography, gender and sexuality. As such, from a slash perspective, it is specifically looking at women who produce and/or consume explicit m/m slash.  I see this very much as an exploratory piece of research, and have no expectations per se as to what I might ‘find’, I am just very interested in hearing about the diversity of experiences people have had, and their own reflections on their enjoyment of homosexual erotica. I think this is a very nuanced and complex area, and I don’t expect to find any ‘one size fits all’ theory at the end of this. But I would like to produce a piece of research that can act as a stepping stone towards a better understanding of how and why women interact with gay erotica, and, hopefully, will reflect a lot of your own experiences back at you, offering an opportunity for interesting future discussion.

For a detailed description of how I came to do the research and what my research philosophy is, please see this post.

Who is the questionnaire for?

The questionnaire is open for both readers and writers of male homosexual erotica. I am interested in exploring all forms of gay erotica, from m/m slashfic with a sexual content, to wider gay (male) erotic literature, and gay (male) pornography.  Some questions will only be applicable to respondents who are either readers or writers (or both), so if a question does not apply to you (e.g. you do not write fic, only read it, and the question is asking you about writing), please leave it blank.
This survey is specifically interested in looking at women’s production and consumption of gay erotica, pornography, and m/m slashfic with a sexual content. As such it is only open to those who identify as women. However, if you’re a man involved in the slash community and you would be interested in sharing your opinion around any of this, please do get in touch. I see this very much as exploratory research and welcome all dialogue!

Due to issues around consent, the questionnaire is only open to those aged 18 and over.

What will you do with the data?

For your protection, I have sought and obtained ethical approval for this study from the Research Ethics Committee of the University of Middlesex, and in accordance with the recommendations of the British Sociological Association.  All research (and data collected from it) will be conducted according to the University’s ethical guidelines and the British Sociological Association statement of ethical best practice. All data is untraceable back to you, will be stored securely (on a password protected computer), and will be treated as anonymous. Only I will have access to the full dataset. Nothing you say will be attributed back to you personally.

I will make all aggregate data available to participants through my LJ page, and by informing other relevant organisations (e.g. the OTW). If you have any feedback on any of the findings, please don’t hesitate to get in touch – a lot of my previous research within social sciences has adopted an ‘action research’ philosophy (where participants are actively involved in how data are used and interpreted to form a community of best practice), and as such I welcome opinions, feedback (and constructive criticism) that can help me to design better research going forward, and get the richest interpretations from the findings themselves. As an academic, I also see this as a really fantastic opportunity for me to receive informed feedback on my work before sending it off for peer-review!

I will also link to any publications that arise from the data, and, while I won’t always be able to post completed articles on my LJ page due to copyright issues, I will happily email full articles to anyone who is interested.

If you would like to be involved in a further discussion about any of the issues raised by this questionnaire, please go to the discussion on my livejournal page or email me (l.neville@mdx.ac.uk).

Filling in the questionnaire

If you are at all uncomfortable with any of the questions, please don’t feel under any obligation to answer them – just leave them blank. Any data you provide is useful, so please don’t feel that you need to answer all the questions if you don’t want to.

I’ve constructed the questionnaire to enable participants to give lengthy responses if they want to, as from my experience in the slash community I know a lot of us have a great deal to say. However, if you don’t want to provide additional information (or are in a rush!) please don’t feel obligated to give lengthy text box answers.

The questionnaire should take 10-25 minutes to complete, depending on the length of your answers.

If you have any further questions about the research, please feel free to contact me: l.neville@mdx.ac.uk

I have already carried out focus groups with women who are involved in the production and consumption of gay erotica, but am interested in conducting more interviews and focus groups in this area. If you are local(ish) to London and would be interested in participating, please contact me via email or through my LJ.

Thank you for your time.

UPDATE: Thanks so much to all participants so far for feedback on the q’naire, it’s incredibly helpful, and while I can’t change the actual questions now I’ve started it (re: validity, reliability etc.), I will of course make use of suggestions/feedback/concrit over wording when I analyse the results etc. Keep it coming!

[REQUEST] Anyone know of any discussions on/proposals for copyright licenses that cover fanworks?

I’m looking for examples of discussions on/proposals for special copyright licenses that would cover the creation of fanworks. There have been quite a few of these, though I don’t remember most of them. For instance, there’s the CC-based fanwork license proposed by mangaka Ken Akamatsu and manga publisher Kodansha [1]. There’s also existing licenses, like whatever Kadokawa Publishing is doing exactly, or Jim Butcher’s fic license, which is apparently kind of dubious [2][3]. There’s been a lot of discussion on making better licenses for derivative works in general in academic and copyright reform circles, but although many of those could apply to fanworks, very few of them seem to be considering the particular characteristics of things like fic. They also seem to be mostly about regulating the relationship between derivative works, not about regulating the positions of derivative works vs. other derivative works – things like whether or not the writer of a fic gives blanket permission to write sequels, make podfics etc. I’m looking for discussions/proposals from anywhere – fandom, industry, academia, and so on. Thank you very much! [1] hilarious gtranslated page at translate.google.com/translate?hl=en&sl=ja&tl=en&prev=_dd&u=http%3A%2F%2Fwww.itmedia.co.jp%2Fnews%2Farticles%2F1212%2F13%2Fnews055.html [2] www.jim-butcher.com/posts/2010/new-fanfiction-policy [3] Discussions of Butcher’s policy at fail-fandomanon.livejournal.com/30790.html?thread=139385158#t139385158 Brought on by discussion at elf.dreamwidth.org/673250.html?thread=7983074#cmt7983074

[REQUEST] Question: J.J. Abrams on Women & Star Trek

This may be a bit too out there, but I’ve been trying to find a throw-away statement by J.J. Abrams regarding the relationship of Star Trek and female fans. I saw it on my flist, but can’t find it again, nor by googling. It was something to the effect of “we put a birth into the reboot in order to appeal to women”? Context is that I’ve been reading on early Star Trek zine history and the split between “media” and “SFF fandom”, and it would be deliciously ironic (and, lbr, tears-inducing) to contrast Abram’s utter cluelessness/erasure with the actual history of Trek fandom. If that quote exists and I didn’t just hallucinate it all!