Understanding that comic book fandom has historically been organized around the physical, tangible objects of comic books in paper pamphlet form is critical to examining the way technological innovations affect the industry’s future prospects and the relationship between reader and text and any potential shifts in the role comic book stores play in those relationships. Are comic book readers not fans if they collect digital files instead of physical texts, or has this historic boundary shifted as a result of textual digitization? Can one “own” a digital comic book text and, if so, how does this ownership alter the historic boundaries between comic book readers and comic book fans? And how does the locus of fan community shift if texts are no longer primarily distributed through comic book stores?
(Re)examining the attitudes of comic book store patrons | Stevens | Transformative Works and Cultures ift.tt/2dKj0R2