Currently browsing tag

X-files

[QUOTE] From Drew Emanuel Berkowitz, Framing the Future of Fanfiction: How The New York Times’ Portrayal of a Youth Media Subculture Influences Beliefs about Media Literacy Education

The New York Times generally presented fanfiction as a financial opportunity for the corporations that own the intellectual properties copied by fanfiction. Many articles asserted that franchises benefit from, and in some cases rely on, their fanfiction communities. For example, Harris (2008) ties the box office success of the X-Files film to the continued health of its fanfiction community, while Heffernan (2008) depicts a lack of homoerotic fanfiction as problematic for the success of any show with a large, attractive male cast. Thompson (2005) reports on the lucrative partnership between the Halo fan-film circle Rooster Teeth and Halo’s copyright holder Microsoft. This “co-opted/encouraged by industry” frame presents a view of fanfiction’s future as a marketing tool, rather than a fan-driven culture. The frame is frequently associated with the “self-branding” purpose frame; teenagers who desire to become part of their favored franchise show their solidarity with the product and fan subculture in ways which are extremely beneficial for intellectual property holders (Hitt 2008; Scott 2002).

Drew Emanuel Berkowitz, Framing the Future of Fanfiction: How The New York Times’ Portrayal of a Youth Media Subculture Influences Beliefs about Media Literacy Education ift.tt/1FA6vyk

[QUOTE] From Emily Regan Willis, Fannish discourse communities and the construction of gender in “The X-Files”

Much of the literature on fan fiction sees slash fiction as transformative because of its imposition of a queer framework on heteronormative texts. While I do not disagree that this is one way fan fiction can be transformative, it is a mistake to believe that slash is inherently more transformative than het or gen fic just because of its queering of canon.

Issue 14 of Transformative Works and Cultures is out!

Congratulations to the editors and writers! Links to all articles below. As usual, we’ll be posting some good quotes from these in the coming days, and you’re very welcome to submit your own.

Editorial

Spreadable fandom - TWC Editor

Theory

Metaphors we read by: People, process, and fan fiction - Juli J. Parrish

Sub*culture: Exploring the dynamics of a networked public - Simon Lindgren

Praxis

A Japanese media pilgrimage to a Tasmanian bakery - Craig Norris

Trans-cult-ural fandom: Desire, technology and the transformation of fan subjectivities in the Japanese female fandom of Hong Kong stars - Lori Hitchcock Morimoto

Fannish discourse communities and the construction of gender in “The X-Files” - Emily Regan Wills

Capital, dialogue, and community engagement: “My Little Pony—Friendship Is Magic” understood as an alternate reality game - Kevin Veale

Symposium

So bad it’s good: The “kuso” aesthetic in “Troll 2” - Whitney Phillips

Translation, interpretation, fan fiction: A continuum of meaning production - Shannon K. Farley

Fan/dom: People, practices, and networks - Katherine E. Morrissey

Fandom, public, commons - Mel Stanfill

Review

“Spreadable media: Creating value and meaning in a networked culture,” by Henry Jenkins, Sam Ford, and Joshua Green - Melissa A. Click

“Reclaiming fair use,” by Patricia Aufderheide and Peter Jaszi - Josh Johnson

“Genre, reception, and adaption in the ‘Twilight’ series,” edited by Anne Morey- Amanda Georgeanne Retartha