A weekly list of new/recent fan studies research that’s just been added to the Fan Studies Bibliography. Works are divided into things that are open access (=immediately readable for anyone) and not open access (=behind a paywall or not yet public).
Lots of shiny new things this week. Special thanks to Kevin Veale for pointing us to a public version of his article on Homestuck-we’ve added it again below, with the open access works this time.
If we missed anything or made a mistake, submit a correction and we’ll fix it in next week’s edition. Happy reading!
Bold, Melanie Ramdarshan. 2017. “Why Diverse Zines Matter: A Case Study of the People of Color Zines Project.” Publishing Research Quarterly, July, 1–14. doi:10.1007/s12109-017-9533-4
Lucas, Torie E. 2017. “Wolves, Dragons, and Ponies… Oh My!: Fursonas and Stigmatization in the ‘Human’ World.” MA thesis, Greensboro: University of North Carolina. https://libres.uncg.edu/ir/uncg/f/Lucas_uncg_0154M_12223.pdf
Moore, Thomas Walton. 2017. “Look at Where You Listen: A Study of Commercial Music and Mediation.” B.S. thesis. http://digitalcommons.bard.edu/senproj_s2017/202/
Sandoe, K. 2017. “Hungry for Justice: The Hunger Games and Developing an Activist Identity in Women Fans.” Pennsylvania State University, Unpublished Dissertation. https://etda.libraries.psu.edu/files/final_submissions/13849
Veale, Kevin. “‘Friendship isn’t an emotion fucknuts’: Manipulating affective materiality to shape the experience of Homestuck’s story.” Convergence (2017): 1354856517714954. https://mro.massey.ac.nz/handle/10179/11524
Zarin, Babak. 2017. “In the Restricted Section: Harry Potter and Unauthorized Sagas.” Elon Law Review 9: 459. https://www.elon.edu/e/CmsFile/GetFile?FileID=956
Not open access
Cho, H., M. L. Schmalz, S. A. Keating, and J. H. Lee. 2017. “Information Needs for Anime Recommendation: Analyzing Anime Users’ Online Forum Queries.” In 2017 ACM/IEEE Joint Conference on Digital Libraries (JCDL), 1–3. doi:10.1109/JCDL.2017.7991602
Choi, Hwanho, and Bernard Burnes. 2017. “Bonding and Spreading: Co-Creative Relationships and Interaction with Consumers in South Korea’s Indie Music Industry (Forthcoming).” Management Decision, July. http://dspace.stir.ac.uk/handle/1893/25648
Dowell, Margaret-Mary Sulentic. 2018. “Toward a Working Definition of Digital Literacy.” In Encyclopedia of Information Science and Technology, Fourth Edition, 2326–35. https://www.igi-global.com/chapter/toward-a-working-definition-of-digital-literacy/183944
Fast, Karin, Linda Ryan Bengtsson, and Raul Ferrer Conill. 2017. “A Spatial Approach to Fan Labor : Conceptualizing Fan Mobilization in Transmedia Marketing.” http://www.diva-portal.org/smash/record.jsf?pid=diva2:1128151
Kallio, Kirsi Pauliina. n.d. “Not in the Same World: Topological Youths, Topographical Policies.” Geographical Review, n/a-n/a. doi:10.1111/gere.12266
Largent, Julia E. 2017. “Documentary Dialogues: Establishing a Conceptual Framework for Analyzing Documentary Fandom-Filmmaker Social Media Interaction.” Ph.D., Bowling Green State University. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1497547704340843
Moody, Stephanie. 2017. “Bullies and Blackouts: Examining the Participatory Culture of Online Book Reviewing.” Convergence, July, 1354856517721805. doi:10.1177/1354856517721805
Silvio, Teri. 2017. “Crying Songs and Their Fans: The Material and Affective Economy of Taiwanese Opera, 1945–1975.” Positions: East Asia Cultures Critique 25 (3): 469–505. https://muse.jhu.edu/article/665544.
Williams, Michael. 2017. “Music Events as Contemporary Spectacle: U2’s ‘360°’ Tour – a Collective Experience of Rock, Rituals and Resistance.” Doctoral, University of Brighton. http://eprints.brighton.ac.uk/17226/