Hi folks! A couple of weeks ago, we had a call for participants from a researcher conducting a study out of Bellevue College, and we just got word that the survey deadline has been extended, so we’re passing that along!
Interested in online sociolinguistics in fandom? Then have we got the survey for you! We were contacted by a researcher at Bellevue College, who asked about boosting their study, so we’re passing this along. The study is about sociolinguistics in
So, a little bit of a different post today! Fanhackers will always be about making Fan Studies scholarship more accessible, but Fan Studies encompasses a whole lot of other methodologies and disciplines. This post will be the first of a
Hi everyone! This post is little bit of a departure from our regular programming, but we figured why not? One of the very few perks of the COVID-19 pandemic has been how accessible conferences are. From May 11-14, the University
The transparency of fan fiction and romance as repetitions, as proliferations of shared sources, permits texts in these genres, so frequently disparaged for being all the same, to register greater differences between them than texts that purport to stand alone.
When [E.L] James erased her fan fiction from online fan archives, she deleted a part of the cultural heritage of her fellow fans to the detriment of their community, and she denied the explicitly communal nature of the authorship of
Fan fiction tends to foreground the communal: it depends on the interaction between readers and writers, and it often creates its own infrastructures, all of which throw into relief fan fiction’s social features. I’d even go so far as to
In female fandom’s gift culture, gifts correlate to aspects of the self, such as time or talent. This sort of exchange turns one role of woman and gift on its head: the woman is still the gift, but now she
With the state of the world being what it currently is, what better time to talk fandom and politics? The newest special issue of Transformative Works and Cultures does just that: The essays in this issue contribute not only to
[…] [T]he entire spectrum of fandom uses Twitter as an online space to bridge the problematic speciations of resistant versus complicit, as well as the increasingly inapplicable, even meaningless ‘fan/creator’ separation. Such spaces foster ample material all along that spectrum