(At) the fan fiction archive, the Archive of Our Own (AO3), writers are required either to warn for rape or nonconsensual or explicitly choose not to warn for those things, and through the wonder of the AO3’s curated folksonomy a reader can make fine distinctions between nonconsensual sex, dubious consent, rape fantasy, under-negotiated kink, rape culture and more. This is what information science looks like in a feminist universe (…).Coppa, Francesca 2014. “Fuck Yeah, Fandom Is Beautiful.” Journal of Fandom Studies 1(2), 73-82. doi:10.1386/jfs.2.1.73_1.
Affective communication and guanxi, seems to lie at the heart of fan practices, as both politics and ethics.
Ling Yang&Hongwei Bao. 2012. ’Queerly intimate: Friends, fans and affective communication in a Super Girl fan fiction community’ Cultural Studies, 26 (6) 855. DOI: 10.1080/09502386.2012.679286
(The) gravity of guanxi seems to have shifted from kinship to friendship(…) Young people in urban China find their own ways of redefining and negotiating guanxi.Ling Yang&Hongwei Bao. 2012. ’Queerly intimate: Friends, fans and affective communication in a Super Girl fan fiction community’ Cultural Studies, 26 (6) 859. DOI: 10.1080/09502386.2012.679286
The phrase guanxi describes an economy where
in which people interact reciprocally with each
other in both material and emotional ways (Yang, M.M.-h. 1994).
Ling Yang&Hongwei Bao. 2012. ’Queerly intimate: Friends, fans and affective communication in a Super Girl fan fiction community’ Cultural Studies, 26 (6) DOI: 10.1080/09502386.2012.679286
Yang, M.M.-h. 1994. ’Gifts, Favors, and Banquets: The Art of Social Relationships in China’ Ithaca: Cornwell University Press.
Other than stories, images and songs are also common gifts circulated in the community to stimulate and encourage new writers. One talented GL fan drew a beautiful picture to be used as ’book cover’ for the fanon Pink Affairs. The Singer-Woman dedicated songs she recorded to a number of stories (in the community). She also started a thread for readers to post memorable quotations from their favourite stories (in the forum) as a small token of gratitude to the writers. A GL fan from Shanghai wrote a Yang/Shang thriller about love and trust to comfort a local fan whose mother recently passed away.Ling Yang&Hongwei Bao. 2012. ’Queerly intimate: Friends, fans and affective communication in a Super Girl fan fiction community’ Cultural Studies, 26 (6) 855. DOI: 10.1080/09502386.2012.679286
Do you have similar experiences of reciprocity in your own communities?
Incest stories (including so-called selfcest) appear significantly in danmei circles. Recent research has highlighted some recurring motives in these stories.
In these fan-made webisodes, it is much more desirable for the new DFFB to experience love among the subcharacters (brothers and sisters), or to love herself, than love the so-called Zha Chong (the scumbag LHC).
EGRET, LULU ZHOU 2017. DONGFANG BUBAI, ONLINE FANDOM, AND THE GENDER POLITICS OF A LEGENDARY QUEER ICON IN POST-MAO CHINA=LAVIN, MAUD; YANG, LING; ZHAO, JING JAMIE 2017. BOY’S LOVE, COSPLAY AND ANDROGYNOUS IDOLS: QUEER FAN CULTURES IN MAINLAND CHINA, HONG KONG AND TAIWAN, HONG KONG UNIVERSITY PRESS, HKU, 122.
Even though the next article’s main topic is original BL fiction but given that the collection they examine contains original as well as transformative BL fiction, this analysis can add to our understanding of incest tropes in fanfiction.
Our examination of Chinese father-son stories, however, suggest that incest plots in BL concern not only lighthearted sexual fantasy but also imaginary compensation for the lack of pure love in parent-children relationships, as well as an implicit social critique of the authoritarian parenting/governing style.Ling, Yang; Yanrui, Xu. 2013. Forbidden love: incest, generational conflict, and the erotics of power in Chinese BL fiction. Journal of Graphic Novels and Comics, 4 (1): 33.
This early analysis seems to suggest that the erotic love, in this case, has the power to transgress the strict familiar roles an create a novel intimacy between the characters. (That the eroticism of love is allegorical or not is up to interpretation.)
Do danmei incest stories you have encountered seem to support this hypothesis? What’d your experience?
Fanzine publishing remains highly receptive to new participants. As Constance Penley (1991) notes, fanzine editors are torn between competing impulses toward “professionalism” (the development of high technical standards and the showcasing of remarkable accomplishments) and “acceptance” (openness and accessibility for new and inexperienced writers). Push comes to show, professionalization gives way to acceptance; even the most polished zines occasionally include work that falls outside their overall standards but represents the fledgling efforts of new fans.Penley, Constance 1991. “Brownian Motion: Women, Tactics and Technology.” Edited by Constance Penley, Andrew Ross. Technoculture, Minneapolis: University of Minnesota Press.
HENRY JENKINS. 1992. TEXTUAL PROACHERS. NEW YORK: ROUTLEDGE, P 162
This same nurturing atmosphere extends to the development of new publications. Established publishers often publicize newer zines, running advertisements for them free of charge, inserting fliers in their mailings or printing them in their issues; established editors see these newer publications, not as competition but rather as welcome additions to the community.HENRY JENKINS. 1992. TEXTUAL PROACHERS. NEW YORK: ROUTLEDGE, P 162
(Academic’s writing on primary or even exclusive focus on Star Trek zines) reflects the important role of Trek fandom in developing conventions and setting the standard for media zine publishing (adopting them from older forms found in literary science fiction fandom).HENRY JENKINS. 1992. TEXTUAL PROACHERS. NEW YORK: ROUTLEDGE, p 161
An example for this standard is the zine community’s commitment to provide spaces for readers as well as for writers.
Historically, many zines have regularly published „Letters of Comment” evaluating and responding to the published works, a tradition within science fiction fandom that dates back to the letter columns of Hugo Gersnback’s pulp magazines.HENRY JENKINS. 1992. TEXTUAL PROACHERS. NEW YORK: ROUTLEDGE, p 163
Early danmei forums and websites were usually run by students, who had neither money nor experience, and often suffered from funding shortage and unstable servers. After the rise of big commercial websites like Jinjiang Literature City (jjwxc.net, 2003- ), Liancheng Read (lcread.com, 2007- ), and Danmei Chinese Web (52blgl.com, 2008- ), those self-owned noncommercial websites gradually went into decline.Ling, Yang; Yanrui, Xu. Chinese Danmei Fandom and Cultural Globalization from Below=LAVIN, MAUD; YANG, LING; ZHAO, JING JAMIE 2017. BOY’S LOVE, COSPLAY AND ANDROGYNOUS IDOLS: QUEER FAN CULTURES IN MAINLAND CHINA, HONG KONG AND TAIWAN, HONG KONG UNIVERSITY PRESS, HKU, XII.
Apart from commercial websites, Baidu Post Bar, the biggest Chinese communication platform provided by the search engine company Baidu, offers ample space for danmei fans to set up open-access “bars” or forums at no cost.Ling, Yang; Yanrui, Xu. Chinese Danmei Fandom and Cultural Globalization from Below=LAVIN, MAUD; YANG, LING; ZHAO, JING JAMIE 2017. BOY’S LOVE, COSPLAY AND ANDROGYNOUS IDOLS: QUEER FAN CULTURES IN MAINLAND CHINA, HONG KONG AND TAIWAN, HONG KONG UNIVERSITY PRESS, HKU, XII.
GL fanfic functions as bildungsroman and as self-help books for these young women to learn to love, to live (…) The friendship, intimacy and homosociality that the fan community offers construct these women’s gender and sexual subjectivities that in many ways refuse the normalization of gender, sexuality and social relations.Ling Yang & Hongwei Bao (2012) QUEERLY INTIMATE:, Cultural Studies,
26:6, 842-871, DOI: 10.1080/09502386.2012.679286
In fandom, participants can gather cultural capital either related or unrelated to the text the fandom is centred around. One, marked space of this cultural capital is psychology and sexology.
(Fandom) has a high percentage of disabled participants, and is concerned with issues of accessibility (both digital and meatspace) and positive disability representation in a way that is still not mainstream.Coppa, Francesca (2014). Fuck yeah, Fandom is Beautiful, Journal of Fandom Studes 2(1), 78.
This personal and creative interest then translates into the shared knowledge of the community.
At a New Year fanfic writing competition held in the bar, the bar managers (bazhu) listed 10 different kinds of diseases, including mythomania, topoanaesthesia, antropophobia and borderline personality, many of which are highly specializedterms borrowed frompsychological literature and Japanese fanfics. GL fans seem to have a broader knowledge of psychology and sexology than the general public.LING YANG & HONGWEI BAO (2012) QUEERLY INTIMATE:, CULTURAL STUDIES,
26:6, 842-871, DOI: 10.1080/09502386.2012.679286
Do you have experiences of how knowledge in these areas appears in fannish spaces?
Thus rather than trying to create a homogenous reading or attempting to essentialize fandom and the artworks that spring out of it, we hope to mirror the discussions and vitality of differences that characterize fandom.Hellekson, Karen; Busse, Kristina 2006. „Fan Fiction and Fan Communities in the Age of the Internet” McFarland.
(…) we use our fannish knowledge and values and apply them to academic practices. Rather than privileging a particular interpretation as accurate, we have learned from fandom that alternative and competing readings can and must coexist. We thus use fannish practice as a model for academic practice.Hellekson, Karen; Busse, Kristina 2006. „Fan Fiction and Fan Communities in the Age of the Internet” McFarland.
I have quoted articles talking about the Japanese and Western influences on Chinese fandom and this paper talks about a third main influence.
The emergence of Chinese fanfic is linked to the rise of online ACG forums and popular access to the Internet in China in late 1990s. While in the main heavily influenced by Japanese ACG and increasingly by Western popular culture such as the Harry Potter series, Chinese fanfic has also followed the indigenous Chinese tradition of writing sequels to well-known classical novels. Many fanfic stories which are set in premodern China, draw on classical literary references and narrative traditions (Wang 2008).Ling Yang & Hongwei Bao (2012) QUEERLY INTIMATE:, Cultural Studies,
26:6, 842-871, DOI: 10.1080/09502386.2012.679286
Wang, Z. (2008) Tongren De Shijie: Dui Yizhong Wangluo Xiaozhong Wenhua De
Yanjiu (the World of Do¯jin: A Study of a Minority Online Culture), Beijing,