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before fan studies

Fan Studies x Digital Humanities: Part 1

So, a little bit of a different post today! Fanhackers will always be about making Fan Studies scholarship more accessible, but Fan Studies encompasses a whole lot of other methodologies and disciplines. This post will be the first of a

axanthou 26/05/202126/05/2021 Uncategorised Read more

By the end of my first full day with Dorothy Evans and her customers, I had come to realize that although the Smithton women are not accustomed to thinking about what it is in the romance that gives them so

fanhackers staff 24/05/201721/11/2019 fanhackers, Uncategorised Read more

Your guide to research on fans

  • Fanhackers is a project of the Organization for Transformative Works (OTW) that makes fan studies scholarship more accessible. We help fans find and access research on fan culture, and encourage fan participation in scholarship through the contribution of personal experiences, new research, and community interaction.
  • We post about fan studies research here and on Tumblr and Twitter, and maintain a bibliography of fan studies research. Contributions welcome!

New in the Fan Studies Bibliography

11806 items 1 5 dateAdded desc https://fanhackers.transformativeworks.org/wp-content/plugins/zotpress/
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Frymus, Agata. 2023. “White Screens, Black Fandom: Silent Film and African American Spectatorship in Harlem.” Early Popular Visual Culture 21 (2): 248–65. https://doi.org/10.1080/17460654.2023.2209942.
The GALA Committee. 1995. In the Name of the Place. https://melchin.org/oeuvre/in-the-name-of-the-place/.
Baker-Whitelaw, Gavia. 2013. “How Author Sam Starbuck Shapes Online Fandom (and Vice Versa).” The Daily Dot, February 18, 2013. https://www.dailydot.com/unclick/sam-starbuck-copperbadge-fanfiction-author/.
“The One Place I Can’t Go, Act 3: Lost In Space.” 2023. This American Life. https://www.thisamericanlife.org/811/the-one-place-i-cant-go/act-three-2.
Enns, Anthony. 2000. “The Fans from U.N.C.L.E.: The Marketing and Reception of the Swinging ’60s Spy Phenomenon.” Journal of Popular Film and Television 28 (3): 124–32. https://doi.org/10.1080/01956050009602832.

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