Perhaps most notably, by offering works that arguably “push the envelope” more than the works of the formal manga industry, dōjinshi may produce examples of innovation that create new opportunities for the entire industry. Indeed, mainstream manga publishing companies have
But in the middle of the decade, one manga and its anime not only saved dōjinshi fandom from near extinction but was responsible for its biggest boom yet. Takahashi Yōichi’s Captain Tsubasa (1981–88, Kyaputen tsubasa), about boys competing in the
Whereas women artists are more likely to extract beloved characters out of their favourite manga, and develop love stories around them, often as beautiful gay boy couplings wholly unrelated to the originals. This approach, called yaoi -yamanashi “no climax,” ochinachi
However, because permitting — let alone encouraging — dojinshi runs afoul of copyright law, the agreement remains implicit: The [Japanese] publishers avert their eyes, and the dojinshi creators resist going too far. This anmoku no ryokai [“unspoken, implicit agreement”] business
The censorship problems faced by anime and manga fans
For fans of manga, anime, and other Japanese media, pointing and laughing at inaccurate mass media portrayals of Japanese pop culture has been something of a sport for decades. A few weeks ago, however, things took a slightly more serious
[QUOTE] From Nicolle Lamerichs, The cultural dynamic of doujinshi and cosplay: Local anime fandom in Japan, USA and Europe, p169
Doujinshi are thus considered to be primary fan objects in Japan that are worthy of attention, circulation, collection and preservation. Japanese buyers are selective and seek fan texts that suit their desire and that fulfill elements of the source-texts that
[QUOTE] From Salil K. Mehra, Copyright and Comics in Japan: Does Law Explain Why All the Cartoons My Kid Watches Are Japanese Imports? p54-55
Perhaps most notably, by offering works that arguably “push the envelope” more than the works of the formal manga industry, dōjinshi may produce examples of innovation that create new opportunities for the entire industry. Indeed, mainstream manga publishing companies have
New fan-themed issue of the journal Participations
New fan-themed issue of the journal Participations The tenth issue of Participations, an online open access journal for audience studies, has a section full of new articles about fan culture. The section was put together by the Fan Studies Network,
[QUOTE] From Akiko Hori, On the response (or lack thereof) of Japanese fans to criticism that yaoi is antigay discrimination
In the middle of the 1980s, fannish dōjinshi based on the manga Captain Tsubasa exploded in popularity, and yaoi dōjinshi circles proliferated accordingly. This caused dōjinshi conventions to grow as well, to the point that commercial manga magazines could no