Though its most important function is still to provide a physical place, Comic Market has also become a symbol of the otaku and dōjinshi communities. It is not only by a wide margin the biggest dōjinshi event in Japan (and
[QUOTE] From Suzanne Scott, Repackaging fan culture: The regifting economy of ancillary content models
My concern, as fans and acafans continue to vigorously debate the importance or continued viability of fandom’s gift economy and focus on flagrant instances of the industry’s attempt to co-opt fandom, is that the subtler attempts to replicate fannish gift
New fan-themed issue of the journal Participations
New fan-themed issue of the journal Participations The tenth issue of Participations, an online open access journal for audience studies, has a section full of new articles about fan culture. The section was put together by the Fan Studies Network,
[QUOTE] From Abigail De Kosnik, Should Fan Fiction Be Free?, p120-123
Over the past decades of sharing their transformative works, fan fiction readers and writers have generally felt wary of commodifying a form of cultural production that is essentially derivative and perhaps subject to copyright infringement lawsuits. (…) Digital appropriation artists
[QUOTE] From Fan-Yi Lam, Comic Market: How the World’s Biggest Amateur Comic Fair Shaped Japanese Dōjinshi Culture, p240-241
Since the 1980s, it has become common for talented dōjinshi creators to be recruited by professional companies and become popular on the mass market. Many famous artists have had a past in the dōjinshi scene or are still involved. Artists—including
[QUOTE] From Bertha Chin, The Veronica Mars Movie: crowdfunding – or fan-funding – at its best?
This also brings to light some people’s uneasiness and concern that money raised through this (Veronica Mars) Kickstarter project is not going towards an indie project, but instead towards a studio film that Warner Bros is essentially too cheap to
[QUOTE] From Lawrence Lessig, Remix
We’ve already seen a similar frustration brew in the context of “fan fiction,” particularly around the Star Wars franchise. As with the Harry Potter story, Lucasfilm learned early on that there were millions who wanted to build upon Star Wars,
[QUOTE] From Fan-Yi Lam, Comic Market: How the World’s Biggest Amateur Comic Fair Shaped Japanese Dōjinshi Culture, p242
(besides Type-Moon) Two other dōjin games, Higurashi no naku koro ni (2002–6, When they cry) by the circle 07th Expansion and Tōhō Project (1996–present, Orient project) by the Shanghai Alice Gengakudan circle, later became commercial hits of a similar or
[QUOTE] From Rebecca Tushnet, Economies of Desire: Fair Use and Marketplace Assumptions
Fanworks, as creative endeavors existing outside the money economy, are fundamentally based on the inexhaustibility of the imagination. Yet the creative desires fanworks express and satisfy are not alien to other, marketized creative works. Indeed, creators’ passions are strikingly similar
[QUOTE] From Kristina Busse: introduction to Fandom and Feminism: Gender and the Politics of Fan Production
Fandom is always more complicated than the stories we tell about it, and scholars need to be careful not to create an imaginary feminist idyll. Simply inverting the gaze may keep subject/object relations unquestioned—a concern that has become especially important