By revising contemporary narratives of both book history and fan history, we can reread women’s work in the literary and book trades from the seventeenth and the twenty-first centuries as a function of operating with and subverting patriarchal norms of

I was once told that book history is not applicable to the study of fan fiction as, “by definition,” such writing is not disseminated in book form—that is, as a printed codex. Coker, Catherine. 2017. “The Margins of Print? Fan