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queer communities

Queer Representations: Pasts, Presents and Futures Conference

Hi everyone! This post is little bit of a departure from our regular programming, but we figured why not? One of the very few perks of the COVID-19 pandemic has been how accessible conferences are. From May 11-14, the University

axanthou 12/05/202112/05/2021 Uncategorised Read more

Tumblrpocalypse Special, Part 7

Today’s reaction to the Tumblrpocalypse comes from Jordan T. Thevenow-Harrison, who is a learning designer who makes things to help people teach themselves. You can find Jordan at jtth.net. “I learned more about identity through queer & POC teens on

fanhackers staff 10/12/201821/11/2019 fanhackers, Uncategorised Read more

Your guide to research on fans

  • Fanhackers is a project of the Organization for Transformative Works (OTW) that makes fan studies scholarship more accessible. We help fans find and access research on fan culture, and encourage fan participation in scholarship through the contribution of personal experiences, new research, and community interaction.
  • We post about fan studies research here and on Tumblr and Twitter, and maintain a bibliography of fan studies research. Contributions welcome!

New in the Fan Studies Bibliography

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Frymus, Agata. 2023. “White Screens, Black Fandom: Silent Film and African American Spectatorship in Harlem.” Early Popular Visual Culture 21 (2): 248–65. https://doi.org/10.1080/17460654.2023.2209942.
The GALA Committee. 1995. In the Name of the Place. https://melchin.org/oeuvre/in-the-name-of-the-place/.
Baker-Whitelaw, Gavia. 2013. “How Author Sam Starbuck Shapes Online Fandom (and Vice Versa).” The Daily Dot, February 18, 2013. https://www.dailydot.com/unclick/sam-starbuck-copperbadge-fanfiction-author/.
“The One Place I Can’t Go, Act 3: Lost In Space.” 2023. This American Life. https://www.thisamericanlife.org/811/the-one-place-i-cant-go/act-three-2.
Enns, Anthony. 2000. “The Fans from U.N.C.L.E.: The Marketing and Reception of the Swinging ’60s Spy Phenomenon.” Journal of Popular Film and Television 28 (3): 124–32. https://doi.org/10.1080/01956050009602832.

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