On fans and Twitter:

[…] [T]he entire spectrum of fandom uses Twitter as an online space to bridge the problematic speciations of resistant versus complicit, as well as the increasingly inapplicable, even meaningless ‘fan/creator’ separation. Such spaces foster ample material all along that spectrum

GIFs in general comprise single looped images, but fans often create more complex GIF sets, which are “sets of images, sometimes animated, sometimes not, arranged in a grid of sorts to communicate as a whole” that have “evolved primarily on

Yet it is precisely users’ inability to establish effective boundaries on Tumblr that has led to the ongoing and still hotly contested diversification of fandom participation and expression. Tumblr-enabled fandom cross-fertilization—what Matt Hills (2015) calls transfandom—has contributed to the growth

The next stage of social TV is here. Drawing on promotional discourses, I argue that Facebook and Twitter’s shift from distributors of television network programming to their own original content is a natural extension of industry practice, but not a

As television outlets have proliferated through cable and streaming services, programming, both for adults and teens, has increasingly explored controversial and sensitive issues. Simultaneously, online fandom and social media engagement surrounding television has also proliferated, thus raising questions as to