The Internet has fueled a massive amount of creativity, from the silly to the profound. Information scientist and copyright advocate Casey Fiesler talks about her experiences as a remixer, including how her feminist remix of a Barbie book went viral
[QUOTE] From Bethan Jones, Fifty Shades of fan labor: Exploitation and Fifty Shades of Grey
Fifty Shades complicates the concept of prosumption, however, as (E.L.) James “built a following within a community founded in part on the explicit rejection of monetary gain in favor of fannish love, and then used that community and the work
[QUOTE] From Mel Stanfill, Fandom, public, commons
Of course, fandom has never been isolated from market values, not least because it tends to respond to capitalist-produced media. But normatively, the counterpublic hailed by fan texts was a noncommercial one. This has given rise to contentions that Kindle
Issue 14 of Transformative Works and Cultures is out!
Congratulations to the editors and writers! Links to all articles below. As usual, we’ll be posting some good quotes from these in the coming days, and you’re very welcome to submit your own. Editorial Spreadable fandom – TWC Editor Theory Metaphors
[QUOTE] From Suzanne Scott, Fangirls in refrigerators: The politics of (in)visibility in comic book culture
Fan conventions have historically been characterized as safe, even utopian spaces in which differences are embraced. My work on the Twilight protests at San Diego Comic-Con 2009 (Scott 2011), the recent sexual harassment debacle at Readercon 23 (Colby et al.