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anonymity

Even in anonymous sites and communities, there can be issues of consent. In 2015, I researched the ‘SimSecret’ LiveJournal site. As all posts and most comments are anonymous, seeking permission to quote or reproduce work proved impossible. However, when the

fanhackers staff 30/05/201821/11/2019 fanhackers, Uncategorised Read more

[META] “What’s with the fucking chicken?”: Anonymous culture in fandom

A few days ago in my personal journal, I asked for thoughts about the rise of anonymous spaces in fandom (specifically, here and for the rest of this post, my corner of LiveJournal/Dreamwidth etc.-based media fandom). I received dozens of

cryptoxin 22/07/201021/11/2019 fanhackers Read more

Your guide to research on fans

  • Fanhackers is a project of the Organization for Transformative Works (OTW) that makes fan studies scholarship more accessible. We help fans find and access research on fan culture, and encourage fan participation in scholarship through the contribution of personal experiences, new research, and community interaction.
  • We post about fan studies research here and on Tumblr and Twitter, and maintain a bibliography of fan studies research. Contributions welcome!

New in the Fan Studies Bibliography

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Frymus, Agata. 2023. “White Screens, Black Fandom: Silent Film and African American Spectatorship in Harlem.” Early Popular Visual Culture 21 (2): 248–65. https://doi.org/10.1080/17460654.2023.2209942.
The GALA Committee. 1995. In the Name of the Place. https://melchin.org/oeuvre/in-the-name-of-the-place/.
Baker-Whitelaw, Gavia. 2013. “How Author Sam Starbuck Shapes Online Fandom (and Vice Versa).” The Daily Dot, February 18, 2013. https://www.dailydot.com/unclick/sam-starbuck-copperbadge-fanfiction-author/.
“The One Place I Can’t Go, Act 3: Lost In Space.” 2023. This American Life. https://www.thisamericanlife.org/811/the-one-place-i-cant-go/act-three-2.
Enns, Anthony. 2000. “The Fans from U.N.C.L.E.: The Marketing and Reception of the Swinging ’60s Spy Phenomenon.” Journal of Popular Film and Television 28 (3): 124–32. https://doi.org/10.1080/01956050009602832.

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