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fsn australasia

FSN AusAsia 2017

On November 30, 2017 the University of Wollongong hosted the first Fan Studies Network Australasia conference. OTW staffer and Media Studies student Angelique Jurd went along, so here’s a behind-the-scenes look at what’s hot right now in Fan Studies. Keynotes

fanhackers staff 17/12/201721/11/2019 fanhackers, Uncategorised Read more

CFP: Fan Studies Network Australasia 2017

CFP: Fan Studies Network Australasia 2017 If you’re in Australasia and were following the FSN2017 coverage and wishing you could be here, FSN is coming to you!! And while it doesn’t say so on this post, the deadline for the CfP

fanhackers staff 20/07/201721/11/2019 fanhackers, Uncategorised Read more

Your guide to research on fans

  • Fanhackers is a project of the Organization for Transformative Works (OTW) that makes fan studies scholarship more accessible. We help fans find and access research on fan culture, and encourage fan participation in scholarship through the contribution of personal experiences, new research, and community interaction.
  • We post about fan studies research here and on Tumblr and Twitter, and maintain a bibliography of fan studies research. Contributions welcome!

New in the Fan Studies Bibliography

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Frymus, Agata. 2023. “White Screens, Black Fandom: Silent Film and African American Spectatorship in Harlem.” Early Popular Visual Culture 21 (2): 248–65. https://doi.org/10.1080/17460654.2023.2209942.
The GALA Committee. 1995. In the Name of the Place. https://melchin.org/oeuvre/in-the-name-of-the-place/.
Baker-Whitelaw, Gavia. 2013. “How Author Sam Starbuck Shapes Online Fandom (and Vice Versa).” The Daily Dot, February 18, 2013. https://www.dailydot.com/unclick/sam-starbuck-copperbadge-fanfiction-author/.
“The One Place I Can’t Go, Act 3: Lost In Space.” 2023. This American Life. https://www.thisamericanlife.org/811/the-one-place-i-cant-go/act-three-2.
Enns, Anthony. 2000. “The Fans from U.N.C.L.E.: The Marketing and Reception of the Swinging ’60s Spy Phenomenon.” Journal of Popular Film and Television 28 (3): 124–32. https://doi.org/10.1080/01956050009602832.

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