Since a few weeks back, some blogosphere hand-wringing has been going on about how Game of Thrones is the most pirated show of 2012. The second season has been downloaded via torrents about 25 million times. Many people in the
[META] In Search of the Hybrid Economy
In the current issue of Transformative Works and Cultures, my friend Nele Noppe has a piece on Why we should talk about commodifying fan work. In her article, Noppe reviews much current English-language scholarship that considers the possibility of some
[META] Comiket as a market for fanworks
Guest Post by Nele Noppe: ‘Comiket’ has about the same connotations as ‘El Dorado’ among many fans of Japanese pop culture, both inside and outside the country. This fanworks-centric event is said to be the largest regular public event in
[ADMIN] A Historian Says Hello
There’s a certain propriety to the fact that I’m sitting in an apartment in Kyoto, Japan, as I write this post. Three and a half years ago, on a Fulbright Fellowship to Doshisha University in Kyoto, faced with a lot
[META] How a fan sub battle is fought
Guest post by Mikhail Koulikov I published a paper in the September 2010 volume of TWC that modeled the interaction between fan groups that create and distribute unauthorized, non-commercial translations of Japanese animation (‘anime’), and the for-profit companies that do
